ion theatre

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THEATER REVIEW: ion’s “Bengal Tiger At The Baghdad Zoo”

“When I get hungry, I get stupid,” says the titular Tiger (Ron Choularton), by way of explanation for his death.

Death itself, the senselessness destruction of war and the meaning of “tigerness” are among the topics explored by the Tiger’s ghost, who will spend the rest of the evening as narrator and resident philosopher in Rajiv Joseph’s extraordinary play “Bengal Tiger at the Baghdad Zoo,” on the boards through June 1 at ion theatre. I advise you to get your tickets now.

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THEATER REVIEW: ion’s “Grey Gardens”

The Kennedy family is as close to royalty as this country gets. So when in 1973 the “National Enquirer” reported that Jackie Onassis’ aunt and cousin were living in squalor in their dilapidated East Hampton estate with “52 stray cats and a few rabid raccoons,” it was news. That the women had, shall we say, lost touch with reality was not a surprise; they’d led rather strange lives before this.

"An Illiad" tops list of 2012 Craig Noel Awards

SAN DIEGO -- A modern interpretation of a classic text -- La Jolla Playhouse/Berkeley Repertory Theatre's production of “An Iliad” -- swept its nominated categories to receive five Craig Noel Awards on Monday night.

Moxie Theatre parlayed three strong 2012 productions to take home the Braunagel Award for outstanding contribution to the San Diego arts scene by a small-budget theater.

A total of 22 productions from nine theater companies were honored at the awards ceremony and reception, held Feb. 4 at the Museum of Contemporary Art, San Diego, in La Jolla.

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THEATER REVIEW: “Julia” makes world premiere at ion in Hillcrest

Fine ensemble acting characterizes Claudio Raygoza’s “Julia,” now in its world premiere and playing through Oct. 27 at ion theatre.

Inspired by August Strindberg’s classic “Miss Julie” – with its themes of class, power and gender roles in 19th-century Sweden – Raygoza has reimagined the original and moved the location to San Diego in 1975, suggesting the continuing relevance of the issues, despite where the power lies.

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THEATER REVIEW: “The Mystery Plays” makes San Diego premiere at ion

The mystery begins before the show, as an apparent ghost walks upstage, roaming past and occasionally lingering in the windows of what turns out to be a train station.

“We are all of us on a journey. Our lives are paths we walk alone,” a Rod Serling-esque Mystery Man (John Polak) says. A tall man in a black trench coat, he narrates the first of two one-acts that comprise Roberto Aguirre-Sacasa’s “The Mystery Plays,” running through Sept. 15 at ion theatre’s BLKBOX in Hillcrest. Glenn Paris directs.

THEATER REVIEW: ion does justice to Pulitzer Prize winner “Topdog/Underdog”

The incongruousness of a black man dressed in the familiar black suit and stovepipe hat of Abraham Lincoln opens Suzan-Lori Parks’ “Topdog/Underdog,” playing through May 5 at ion theatre in Hillcrest.

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THEATER REVIEW: “Blasted” is a powerful production by ion theatre

Sex and war leave similar scars in Sarah Kane’s deeply disturbing “Blasted.”

The 23-year-old playwright blazed onto the theatrical scene in 1995 with this ultraviolent play that repulsed many with its extreme scenes of violence and human degradation. Four years later, Kane would die by her own hand, leaving six plays about people wounded by life.

“Blasted” starts as a naturalistic if tawdry love story about an assignation between gun-toting, gin-swilling, chain-smoking journalist Ian (Ron Choularton) and his 21-year-old former mistress Cate (Gemma Grey) at a posh Leeds hotel.

San Diego Theatre Critics Circle hands out 2011 Craig Noel Awards

SAN DIEGO -- The Old Globe’s 2011 production of Tracy Letts’ drama “August: Osage County” was the leading honoree at the San Diego Theatre Critics Circle’s 10th annual Craig Noel Awards ceremony, held Monday at the Museum of Contemporary Art, San Diego, in La Jolla before an audience of more than 450.

“August: Osage County” won the evening’s top award for Outstanding Dramatic Production, as well as for Lois Markle’s lead performance, Sam Gold’s direction and the Ensemble award for its 13-member cast.

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THEATER REVIEW: “Request Programme” is a one-woman show about bleakness of worker's life

Adventurous theatergoers who missed Linda Libby’s amazing performance in ion theatre’s “Request Programme” in 2008 have another chance to see it this week.

“Request Programme” is a 70-minute show by German playwright Franz Xaver Kroetz, famous for experimental post-war plays of a type called “theater of the inarticulate,” depicting the bleakness of working-class existence. Loneliness and isolation are his norms; suicide sometimes a welcome option.

The one-person show plays through Jan. 28 at ion’s theater in Hillcrest.

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THEATER REVIEW: Props to ion theatre on two-play "Angels In America" epic

“Angels In America: A Gay Fantasia On National Themes,” the two-play epic by Tony Kushner, has won just about every honor possible, including the Pulitzer Prize in 1993 and consecutive Tony Awards in 1993 and 1994.

The 1993 HBO film and miniseries, directed by Mike Nichols, won both the Golden Globe and Emmy for Best Miniseries.

Péter Eötvös then turned the two plays into an opera, which debuted in 2004.

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