Theater Reviews

MINI-REVIEWS: Jean Lowerison shares her thoughts on 9 shows seen in New York

(Editor's note: The Tony Awards will be broadcast on CBS on Sunday evening. SDGLN Theater Critic Jean Lowerison just returned from New York City, where she saw nine shows. Here, for your pre-Tony Award delectation, are comments about the shows she saw. The plays are listed in the order seen.)

"Other Desert Cities"

A beautiful SoCal desert home serves as backdrop for a story about (what else?) a dysfunctional family. Stockard Channing always a pleasure to watch, as is Elizabeth Marvel as her daughter. Stacy Keach seemed to be going through the motions.

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THEATER REVIEW: “Brilliant Mistake” makes world premiere in Carlsbad

New Village Arts Theatre concludes its 11th season, an “Ensemble Project” year, with the world premiere of Suzanne Bachner’s “Brilliant Mistake,” written specifically for this group of actors.

Bachner also directs this sprawling comedy, which plays through June 24 and gives 15 ensemble members (some not usually onstage) a chance to shine.

As playwright, Bachner’s approach was to interview each actor to learn a little personal and performance history; then to fashion character for each, and finally to concoct a story to connect them all.

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THEATER REVIEW: “The Scottsboro Boys” continues to shock and awe | VIDEOS

I don’t often give a positive review to a show that makes me cringe.

But “The Scottsboro Boys,” recounting a sorry piece of the U.S.’s racist past in not just musical form but as a minstrel show, fulfills theater’s highest calling: to tell an unforgettable story that induces the audience to think and talk about it afterward.

Along the way, it shocks, horrifies, moves and even amuses.

THEATER REVIEW: Applauding OnStage’s “Rosencrantz And Guildenstern Are Dead”

You half expect Rosencrantz – or, more likely, Guildenstern – to break into a chorus of “Alfie,” unable as they are to figure out what it’s all about.

These poor minor courtiers to the Danish throne seem to have escaped “Hamlet” and are first seen on the road to – somewhere, or maybe nowhere, perhaps even nonexistence.

While waiting for fate to reveal itself, they test the law of probability by flipping coins, defying that law with 92 consecutive heads.

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THEATER REVIEW: “Blasted” is a powerful production by ion theatre

Sex and war leave similar scars in Sarah Kane’s deeply disturbing “Blasted.”

The 23-year-old playwright blazed onto the theatrical scene in 1995 with this ultraviolent play that repulsed many with its extreme scenes of violence and human degradation. Four years later, Kane would die by her own hand, leaving six plays about people wounded by life.

“Blasted” starts as a naturalistic if tawdry love story about an assignation between gun-toting, gin-swilling, chain-smoking journalist Ian (Ron Choularton) and his 21-year-old former mistress Cate (Gemma Grey) at a posh Leeds hotel.

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THEATER REVIEW: “The Lion In Winter” is royally entertaining

I don’t know whether the universe is as absurd as Samuel Beckett portrays it in “Waiting For Godot,” but Henry II’s 12th-century squabbles over succession as painted by playwright James Goldman come close to ludicrous.

North Coast Repertory Theatre celebrates its 30th anniversary with a fine production of “The Lion In Winter,” which was part of their first season. Andrew Barnicle, who formerly headed the theater at United States International University (and NCRT’s former associate artistic director), returns to direct.

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THEATER REVIEW: The Old Globe’s world premiere of Bacharach-Sater's “Some Lovers” is a work in progress

A modern twist on “The Gift Of The Magi,” O. Henry’s Christmas classic, the world premiere of “Some Lovers” at The Old Globe has a long way to go before it becomes a holiday tradition.

The new musical, featuring music by Burt Bacharach and book and lyrics by Steven Sater, is getting its inaugural run through Dec. 31 in the Sheryl and Harvey White Theatre, an intimate in-the-round space.

This is the first musical by the Academy Award and Grammy Award winning Bacharach since he wrote the music for “Promises, Promises” (1968), which was revived on Broadway in 2010.

THEATER REVIEW: "The Santaland Diaries" is a funny and caustic holiday treat

How embarrassing would it be to spend a holiday season in yellow and green tights, a yellow turtleneck, hunter green velvet shorts and jacket, an absurd stocking cap and turned-up elvin shoes?

Writer David Sedaris, like many another starving actor and writer, found out when he spent a holiday season at Macy’s as one of Santa’s elves. The result was the hilarious “The Santaland Diaries,” first heard on NPR in 1992 with Sedaris himself telling the story.

The story, adapted for the stage in 1996 by Joe Mantello, quickly became a holiday staple around the country.

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THEATER REVIEW: "Jesus Christ Superstar" is another winner

La Jolla Playhouse offers earplugs on your way into the theater. The pre-show announcements notes that “if you’d like to try a soothing lozenge, feel free – our band will drown you right out.”

It’s Des McAnuff’s Broadway-bound restaging of Andrew Lloyd Webber’s rock opera “Jesus Christ Superstar,” stopping by the former artistic director’s old Playhouse stomping grounds to work out a few more kinks before the March Broadway opening. The show plays through Dec. 31 at Mandell Weiss Theatre.

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THEATER REVIEW: "Dr. Seuss’ How The Grinch Stole Christmas" will melt your heart

That grouchy green Grinch with the hairy, rancid seaweed-look outfit is back in town, still raging at Christmas and the Whos who love it.

The 14th edition of The Old Globe’s beloved Christmas tradition “Dr. Seuss’ How The Grinch Stole Christmas” plays through Dec. 31 on the Globe’s main stage.

You remember the story: the (new) Grinch (Steve Blanchard), tired of putting up with all that Christmas cheer year after year, comes up with a terrible, wonderful plan to eliminate the season altogether.

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